Art Giveaway!
To celebrate reaching 500 tumblr followers, I’m giving away a piece from my brand new Mini Bridges series! To enter, simply reblog this post by Wednesday May 9th at Noon. The winner, chosen by random.org list generator, will be given first dibs on their chosen piece before the series is made available for purchase! Good luck!
Where’s Wayne Gretzky when you need him?
That time everyone forgot how to play hockey at the same time.
Ghandi’s Seven Dangers to Human Virtue
042/366 Art Journal Pages (by coreymarie♥com)
Get A Good Ball To Hit
One of the greatest hitters in the history of baseball, Ted Williams. Hitting a baseball is largely considered to be the most difficult thing to do in all of sports and Ted Williams could do it better than nearly every one. That’s a one-line resume. No further explanation necessary.
Ted Williams was a naturally gifted athlete with sharp eyesight and quick reflexes. Perhaps the same skills that lent to becoming a top-notch fighter pilot in WWII. What gave Williams the edge was his scientific, systematic approach to hitting.
The now famous Ted Williams strike zone first appeared in Sports Illustrated in 1968, Science Of Batting. In this article he broke down the strike zone into 77 baseballs. The average on each of ball is not what Williams actually hit but rather his projected average — that’s key. Ted Williams doesn’t pretend that he can hit every pitch. Balls low and outside he knows he should lay off, the odds are against him. But right in the center of the plate, that’s his “happy zone”. “The heart of the plate, belt-high, and with some sugar on it.”
Maybe it was Williams’ shear willpower that allowed him to hit .400. He had the self control to wait for his pitch. And then wait some more.
I remember Lefty Chase, who pitched for Washington. He had a hell of a curve and fastball, but he was wild. One day he got me to 3 and 2 with two men on, and threw a big sharp curve, and I took it. Fooled me. Strike three. I got up again in the fourth inning, bases loaded, count goes to 3 and 2, and here comes another, and I’m hanging in there, waiting, waiting, and I don’t think I moved until the ball was right by my ear. It darn near hit my hat and spun it on my head. I walked.
Garrison spoke with the Colorado Springs Gazette about APHC’s upcoming visit to The Springs and described how Lake Wobegon deals with economic troubles. Read more.
(Tickets for this weekend’s show — with special guests Robin and Linda Williams, Stephanie Davis, and The Haunted Windchimes — are still available.)
(Source: prairiehomecompanion)
gq:
The Survivors: Lil Wayne
Our final November cover subject sat down with GQ contributor Claire Hoffman to talk about quitting syrup, getting hooked on skateboarding and running into his father outside of a show. The encounter with his father didn’t go well—that bit is below. The rest of GQ’s interview is here. Tomorrow at GQ.com: an exclusive interview with Lou Reed and his latest recording partner, Metallica.
GQ: Your relationship with your biological father seems complicated.
Lil Wayne: He don’t give a shit about me. And I don’t give a shit about him. I know his friends be like, “Damn, nigga. That is not your son. Stop lying. Nigga, you could be living in a motherfucking ranch right now, nigga.” You know, whatever your father’s into, if you’re rich, you’re gonna get him that shit. I would’ve got that nigga all kinda harnesses, ranches—you know what I mean? I saw the nigga recently—I had a show in New Orleans. And I ain’t afraid to put this out there, ‘cause this is just how much I don’t give a fuck about a nigga, and I want people to see how you’re not supposed to be. I was parked at the hotel, and I saw him walking outside the hotel. Just walking back and forth. I’m like, “Look at this nigga! You gotta be looking for me.” If Lil Wayne got a show in New Orleans, the whole of New Orleans knows. Basically, you’re not there for nothing else but me. So I call my man on the bus. I’m like, “Nigga, that’s my daddy.” He’s like, “Word? Oh shit. That nigga looks just like you!” So I tell my man, “Go see what’s up.” So my man goes to holla at him. He tells my man, “Oh. I didn’t know y’all was here. I’m here waiting for this little ho to get off. Get off work from the hotel.” For real? That’s when I was like, “Typical Dwayne Carter.” So that’s what’s up with me and my real father. I don’t want to look like his ass, but I do.GQ: Are the tattoos a way of not looking like your dad?
Lil Wayne: Tattoos are just a way of expressing myself. Me being me. I just went crazy. I don’t know what happened. I think somebody slipped something in my drink, like a drug that’ll make you get, like, a bunch of tattoos.GQ: How does life look right now through Lil Wayne’s glasses?
Lil Wayne: I can describe it like this: Today I was riding up to the venue. I had just woken up, and I looked out the window, and there was like a billion cars in the parking lot. I turned to my girl, and I said, “Isn’t it crazy how all those cars and all those people are there to see me?” And the craziest part was I still could get that feeling. All this time, after all those albums, videos, all those awards and money and groupies and homeys and gangbanging and friends and no-longer friends. That I can still get that feeling, like, “Wow. This is amazing.” That’s what it is to be me. Yeah.[Photograph by Mark Seliger]
Weezy’s answer about his father is complete gibberish. I couldn’t even begin to tell you what happened except that he appears to dislike his father. The other two answers seem to have come from someone who has more than 2 brain cells to rub together and could actually be entertaining.
Colman McCarthy, co-founder of the D.C.-based Center for Teaching Peace, on how to teach students how to :examine their choices regarding violent reaction versus nonviolent response.”
(via utnereader)